Snoop’s hardly a natural as a reggae singer, and his performances here are riddled with leaden vocalizing, fortune cookie-grade lyrical mundanities (“Take care of Mother Earth cause-ah she be the planet”) and dreadful fake patois. Many of the complaints about the film could be made against the album: Reincarnated is constantly on the hunt for a sense of communion with a world just out of its reach. Upon release, though, the film immediately infuriated Bunny, who issued a withering polemic castigating Snoop for what he felt was a cavalier and opportunistic misappropriation of Rastafarian culture. All of which was ultimately documented in the film Reincarnated and consummated in the album of the same name. But Snoop really seemed invested in this Lion thing: his plan to hang out in Jamaica to record a reggae album quickly became a full-fledged Rastafarian spirit journey with guidance from Marley bandmate and roots reggae legend Bunny Wailer and the Rastafari Millennium Council. The transformation seemed likely to blow over the same way Snoop’s stints as talk show host, sketch comedy actor and porn director did- another half-remembered bit of listless bond diversification from a rap luminary grown bored of rapping. So when he announced his metamorphosis into the reggae singer Snoop Lion last year while casually referred to himself as the reincarnation of Bob Marley, it was hard not to have a chuckle. Snoop Dogg has spent the last decade of his career building a persona based on intrinsic and intentional humor.
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